iRafa escribió:los que más han innovado en la forma de tocar.
sí, es lo que se suele decir ... pero no me parece un asunto cuantitativo ( > ó < ) ...¿quién innovó "más": Thelonious Monk, Bill Evans, Bud Powell, Art Tatum, Duke Ellington, Cecil Taylor, Paul Bley, Joe Zawinul, Keith Jarrett, Herbie Hancock, Misha Mengelberg, Mal Waldron etc etc ... si le pregunto a Luis, me va a decir algo distinto que Andrés -- Andrés puede tocar mejor como Bud Powell y Luis mejor como Thelonious Monk !!.
y con saxofonistas, no podría olvidarme de Steve Lacy ......
estoy muy contento: hace como diez años que estaba buscando la caja entera - tenía sólo la primera Impulse! "Live at the Village Vanguard"
me hiciste acordar Rafa, muchas gracias:
*********
Recorded live at The Village Vanguard, New York, New York on November 1, 2, 3 & 5, 1961. Includes liner notes by David A. Wild.
Digitally remastered using 20-bit Super Mapping by Erick Labson (MCA Music Media Studios).
When John Coltrane brought an extended version of his newly-built quartet into New York's Village Vanguard for a week's stay in November of 1961, he and his soon-to-be-longtime producer Bob Thiele already knew that they were about to record Trane's first live dates as a bandleader. After his heavy, big-band Impulse! debut AFRICA BRASS!, Trane's music was streaming further and further into uncharted musical spaces, and recording him was about to become Thiele's raison d'etre. Hence we have nearly four hours of this incomparable music that features, among many other wonders, the controlled swingin' fury of Elvin Jones, the rhythm-defying astral flights of Eric Dolphy's alto sax and bass clarinet, and, of course, crystallization of the leader's other-worldly sonic masterplan. The final statement in acoustic jazz that was John Coltrane's Impulse! Career begins here at the Vanguard. Yes, much of this music has been released piece-meal through the years. But taking in this entire recording (in single or multiple sittings) is an experience onto itself. It is a watershed that well deserves the praise it gets.
Live Recording
Reissue producer: Michael Cuscuna.
Personnel: John Coltrane (soprano & tenor saxophones); Eric Dolphy (alto saxophone, bass clarinet); Garvin Bushell (oboe, contrabassoon); Ahmed Abdul-Malik (oud); McCoy Tyner (piano); Reggie Workman, Jimmy Garrison (bass); Elvin Jones, Roy Haynes (drums).
Producer: Bob Thiele.
Rolling Stone (12/25/97, p.164) - "...Physical majesty, profound invention and spiritual wonder....marks a point in time when something rare, beautiful and immortal was born..."
Entertainment Weekly (9/26/97, p.79) - "...this historic and exhaustive four-CD set documents a genius in glorious transition." - Rating: A
Down Beat (1/98, p.56) - 4 stars (out of 5) - "...happily, this set is done properly....these sessions reveal a stunningly emotional and energized Coltrane....these performances demonstrated on record for the first time Trane's new mix of raw emotion and unbridled power..."
"There was nothing so very remarkable in that; nor did Alice think it so very much out of the way to hear the Rabbit say to itself, 'Oh dear! Oh dear! I shall be too late'."